May 15, 2015
Friday night live at Transistor: layering/repetition-obsessed noise artist Arvo Zylo and backwoods avant-garde from Good Stuff House, 8:00 p.m. Free, BYOB.
'I've been making experimental music that wavers around but is undeniably anchored in the vein of industrial noise. I work under my own name as well as under the collaborative umbrella moniker Blood Rhythms.
I've toured the Midwest numerous times, as well as being featured at Denver Noise Fest every year since 2010, and also Dead Audio Fest in Houston (2010), St. Louis Fest (2010), Heavy Focus (Minneapolis, 2010), and am scheduled for more in the future. Radio stations I've been interviewed or featured on include WFMU (New Jersey), WZRD (Chicago), and WKCR (New York).
In terms of recorded output, I have done split releases with GX Jupitter-Larsen, Le Scrambled Debutante, TOMB, and Death Factory. Some of my releases have been produced by such outfits as Locrian's private label Land of Decay, Banned Productions headed by AMK, Phage Tapes, Spleencoffin, Enemata Productions (headed by Rick from Infirmary), and others.
Good Stuff House is Mike Weis (Zelienople, Kwaidan, and solo), Matt Christensen (Zelienople, Enemy Chorus and solo) and Scott Tuma (solo, Souled American, Boxhead Ensemble). This trio formed in 2006 to release a limited CD on Time-Lag Records in 2006, which was reissued on vinyl, cassette and download in 2013 on the Texas label Holodeck. The trio followed up this debut recording with an album called 'Endless Bummer' on the San Francisco label Root Strata. The band has been a side-project of sorts for each member, so live performances are few and far between. After a three-year hiatus, GSH returned for a string of shows in 2014. This performance at Transistor will be their first outing in 2015. The set will consist of three different arrangements from each individual. Christensen will play guitar, Tuma will be on guitar, vocals and harmonica, and Weis on percussion. Critics have characterized GSH as 'ambient folk', 'Americana-drone', 'hillbilly drift', 'the intersection between dusty country and ghostly ambient,' and 'backwoods avant-garde.'
More HERE