The impetus that spurred this album happened when Ed End, curator of the yearly comp series, "Necktar", asked me to contribute something based on "perception". I immediately came up with an elaboration from Willie Nelson's song, trying to evoke the idea of human imprints on inanimate objects existing within a room, or the anthropomorphic characteristics of them, without the implication of love or loss. This is from my experience of spending a lot of time in old and abandoned buildings, as well as cemeteries, desolate plots of concrete along the lake, and especially in the flooded, moldy basement of an incredibly old church around Augusta and Noble, Chicago circa 2003. I also wanted to use musical and visual imagery which suggested a sort of euphoric feeling of submersion that comes with the choice of complete solitude and being influenced solely by one's own thoughts/actions within a set location for long periods of time. Originally issued on the now defunct Enemata Productions in 2008 (headed by Rick from Infirmary), this new edition comes with 3 single sided 3x5 cards, a yellowed, crumbling page of a book from 1938 with old English text in German, and a generous amount of soil from either "The Bird Sanctuary" along Montrose area lake grounds, the Morse beach, or Bachelor's Grove Cemetary, reputedly the most haunted place in the country. Select copies come with worms, bird bones, and garbage. Cassettes are black Type II High Bias, duplicated by Andy Ortmann with full color labels inside of a smokey poly case, all contents come in a black 4x6 poly bag. Specific soil requests are not available. Run time is approximately 68 minutes. Limited to 84 with a small amount set aside for a special edition packaging later this summer. More pictures to follow.