N O P A R T O F I T

N O   P A R T   O F   I T
Far more important than baking bread is the urge to take dough -beating to the extreme - Otto Muehl

Thursday, February 7, 2019

WE ARE SOME GRAVEN CATS






Arvo was interviewed for the Seattle-based site For The Love of Noise.  Some subjects include Bachelor's Grove Cemetery,  recent releases, the impetus behind Hello Walls, newer releases that aren't available yet, and a bit of the ol' new age philosophy. 



 Jacob An Kittenplan wrote a blazing review of the recent six tape set A BIRTHPLACE IS NOT A GRAVESITE over at Cassette Gods.  Thanks so much for taking the time!  (There are a few copies lingering, by the way).

Here is a nice leading quote...
I’ve probably listened to this entire compilation about 20 times through, and the implied constellations keep coming, with every listen. It feels kinda criminal that there are so few of these collections to go around, but I hope that somebody’ll maybe press it to 6xLP wax some day, when we move away from formula, in the interest of darker moods. 


Xerox manipulation by Bradley Kokay
 Blood Rhythms will be performing again in Seattle at Chapel in March.

 Two avant-garde/experimental/noise supergroups/ensembles and expert synth soundtrack music of the industrial variety.

FHTAGN is an experimental chamber ensemble started by Blake DeGraw in 2015. Since its inception, the group’s amorphous lineup has been joined by over 70 musicians from a wide variety of musical backgrounds. Primarily employing non-traditional means of scoring and conduction, FHTAGN has performed as a string orchestra, surround-sound choir, saxophone quartet, guitar orchestra, and many other formats, often employing large numbers and extremes in spatial dispersion.
“The combined sound of [FHTAGN] could be described as if Charles Ives had access to psychedelic mind-altering substances.” - icareifyoulisten.com
fhtagn.bandcamp.com
blakedegraw.bandcamp.com

Andrew Quitter began making experimental sounds as a teenager after receiving his first 4-track recorder in 1998. His main projects over the years have been Suburbia Melting (1998–2012) and Regosphere (2007–current). He has toured the country many times and released close to 200 recordings since 1998. He also started the label DumpsterScore Home Recordings in 2003, which has put out over 100 releases in the past 15 years. Around 2009, Quitter began expanding his tape collage techniques with the addition of thick drones sourced from analog synthesizers and organs, as well as elements of percussion and extended field recordings. This led to the first full-length album under his own name – Entering Saturn’s Return – released on the Ilse label in 2011. He has also composed several soundtracks and done sound design work for independent horror/sci-fi movies.
https://andrewquitter.bandcamp.com/
http://www.dumpsterscore.org/

Blood Rhythms is the collaborative umbrella moniker of Chicago transplant Arvo Zylo, who has been living in Seattle for a little over a year. Blood Rhythms began slowly in 2007 as a brass/drone ensemble; which is to say, as many blaring horns as possible, effected in a nonmusical repetitive style. Since then, things did evolve into a sort of synth and junk-metal collective. "Assembly", an LP out on legendary noise label RRRecords, is the culmination of what Zylo has done in post-production for five horns recorded in a meat locker, and Blood Rhythms has recently made their formal Seattle debut sharing members with FHTAGN, opening for Blevin Blectum this past October. Back in Chicago, Blood Rhythms has included as many as fifteen horn players, or at other times, five drummers, but more recently, the Seattle iteration of the project has focused on studio work, minimal trios and more dense sonic concepts.
www.nopartofit.com
www.nopartofit.bandcamp.com
www.soundcloud.com/nopartofit





Arvo's appearance with a 12 person guitar orchestra as part of what is collectively known as Fhtagn last month was recorded and can be heard here.   The material is more of a sound collage arrangement than the barrage of riffage that one might expect, and is inspired loosely by the life and death cycles of cicadas. 

Blood Rhythms' reworking of Arvo Zylo's 333 material on 333REDUX was aired on WZRD (by request!), alongside Chrome, Brume, Illusion of Safety, Bonzo Dog Band, Swans, Betty Davis, Joseph Hammer, The Residents, Chris Connelly, Carl Stone, and more!!!   Listen HERE



EaViL was aired in a special Xmas episode of Mid-Valley Mutations hosted by Austin Rich.   Also in this holiday edition were Vincent Price, Birdsongs of the Mesozoic, Walls of Genius, Bren't Lewiis Ensemble, Juice Machine and more!    



Speaking of, an excerpt of Blood Rhythms' first Seattle performance was aired on Mid-Valley Mutations, recorded during Mini-Mutations' Pacific Northwest tour in October.   Take note of Mark Hosler of Negativland's set!  And one more thing, in part of the tour recap, Austin said this of the Pussification compilation (and his involvement in it).



I’ve been a fan of Arvo Zylo‘s work ever since Bob Bucko Jr clued me in, so being invited to contribute a track to a No Part of It release was very exciting to me. “Pussification” contains music about or inspired by cats [edit: it is material featuring cats in some way], released by a wide range of artists, and being on a comp with Fhtagn and Forrest Friends just felt right for an early Mini-Mutations release. At one point, Arvo referred to me as, “The Mr. Rogers of Noise,” and I let that steer my inspiration while I made this track, which was recorded over an afternoon between prepping for this tour.



Our friend, noise artist / label head Jan Kruml and his cat are enjoying the new compilation, PUSSIFICATION.  In this particular case, FORREST FRIENDS.  

Monday, January 14, 2019

unsalted

The opening track from the new compilation "Heteroptiks", by Taki Pantos, was aired on WZRD... alongside Author & Punisher, Adult., Grace Jones, Luc Ferrari, Sugar Pie DeSanto, Lesley Gore, and Esplendor Geometrico.  LISTEN HERE 
 Also on WZRD, there were two tracks from the Pussification compilation aired on two different shows.   Arvo Zylo's track (w/Chollie) was aired here, and Fhtagn's track was aired HERE.  Thanks wizards! 
AND Mass Marriage's track from HETEROPTIKS was also aired HERE alongside  Bren't Lewis Ensemble, Black Sun Productions, Yoko Ono, Gintas K, Alvin Lucier, Legendary Pink Dots, and more.  




Marlo Eggplant's track "Arvo" from 333REDUX was aired on "What's This Called?" radio show in Portland.  Nadja, Legendary Pink Dots, Plastic Ono Band, Mini-Mutations, and Thai Elephant Orchestra were also aired, among others.  Listen HERE.






4 new releases on NO PART OF IT were reviewed at Critical MassesA Birthplace Is Not A Grave SitePussification, Heteroptiks, and Upheaval.   "It’s OK, you can do a double take, blink a couple times, and shrink away, never to return to this subject again. Or you can embrace the weirdness, the inventiveness, of this idea and run with it. ".     Thanks Ryan!  

"Like a holy artifact or lost secret document, A Birth Place Is Not a Grave Site contains unfathomable riches to discover. There are three b/w 4 x 6 art cards by Arvo himself, stunning, haunting, tactile, visceral pieces to accompany the mood. A b/w photo is also included – mine is a postcard of four adolescent girls on ponies. The contrast in aura is unsettling, although the representation of a time long past is spooky enough to click with the rest of the vibe."


Marlo Eggplant's split with Arvo Zylo was ranked at #175 in Tabs Out's Top 200 tapes of 2018.  I believe it was the only split cassette in their rankings.   Thanks boys!


All four of the most recent split cassette tapes on no part of it were reviewed at CASSETTE GODS.  We are grateful they took the time to give these kind words here.  Follow the links below!


PBK/Arvo split review
BBJR/Arvo split review
Marlo Eggplant/Arvo review
Andrew Quitter/Arvo review

"AZ’s side couldn’t be further from the prior, eschewing any semblance of whimsy for a stilted, panic-inducing stack-upon-stack-upon-stack of Steve-Reich-meets-hyperspeed-cloned-Conlon Nancarrow sequences that amplify, obfuscate, & further bastardize each and every one of themselves with every passing layer added. Though the trajectory is plainly mapped, the psychoacoustic effects are not. This is a pretty wild ride for anyone willing to exercise their patience, and sanity, to be sure!"